From the other end of the modern

bowbrick
4 min readOct 4, 2022

Italo Svevo and Adam Tooze (and Liz Truss and Kwasi Kwarteng)

Black and white photograph of the facade of a residential building in Trieste, windows, shutters, shadows — by Russell Davies
Trieste, by Russell Davies

So, in his book about the real hero of modern literature, historian Franco Moretti put me on to Italo Svevo’s 1922 novel Zeno’s Conscience. It’s a brilliant and prophetic book. With our hero, businessman Zeno Cosini, we walk the streets of Trieste, a port city at the edge of a collapsing empire and at the edge of the unfortunate 20th century, with the most annoying and loveable (and most unreliable) unreliable narrator you’ll ever meet.

This narrator is a very up-to-date Austro-Hungarian. He’s an enthusiast for the latest Viennese fad psychoanalysis — we learn that he’s writing all this down for his analyst in Vienna (Doctor S, probably Sigmund Freud, who actually treated Svevo’s brother). He’s a hypochondriac who knows all the latest ailments and treatments, a chemist who knows the composition of all the popular remedies, apparently in robust health but surrounded by sick people. An egomaniac but only in the sense that you are too, in your private thoughts.

And, in the text, Zeno’s right there, on the cusp of the modern, at the beginning of the long 20th century; all that revolution, industrialisation, despoilation, globalisation — and war after war — just over the horizon.

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bowbrick
bowbrick

Written by bowbrick

Grizzled web old-timer (some say just grizzled), a trustee at the brilliant Poppy Academy Trust in the UK, a crummy poet and a volunteer at Watford Refugees…

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